The Beguiled makes charm into the monster

Be careful with your v’s,” notes schoolteacher Edwina in a cursive class, in what would be the most hilariously blunt double-entendre of the year were¬†The Killing of a Sacred Deer not hanging out in the rafters. Whereas that film starring Colin Farrell and Nicole Kidman spoke frankly at all times, this film starring Colin Farrell and Nicole Kidman speaks in code until it suddenly doesn’t. “I’m as blunt as I need to be,” says Kidman’s southern headmistress Martha to John, the wounded Yankee she temporarily shelters. Martha is a capable operator, but as the wounded soldier starts healing, starts becoming active, starts looking virile in a group of secluded women, is bluntness effective?

The Beguiled runs only an hour and a half, but it takes its time within that, carefully setting up its dominoes for the first hour as John charms his way into the existing fissures of the boarding house’s ecosystem. It’s Civil War setting provides an interesting feint; John quickly shows himself to not be the enemy Yankee they fear, but he’s hardly an altruist either. It’s final stretch pays off in intensity but lacks some of the previously evident restraint, feeling distinctly like a horror movie at points. But its a beautifully shot film with a talented cast who make this small corner away from the war feel fully realized. It’s not a terribly optimistic film, but it is often magnetic.

B

The Beguiled (2017)
Directed by Sofia Coppola
Starring Nicole Kidman, Kirsten Dunst, Elle Fanning, and Colin Farrell
Rotten Tomatoes (78%)